Sigrdrífa is a shieldmaiden. She is a Norse warrior in search for battle and glory. She is inspired by the valkyrs of myth, those women warriors who searched the battlefields for the slain and worthy to enter Valhalla, and join Odin’s army, the Einheriar.
I think my fascination with the valkyrs stems directly from Richard Wagner’s magnificent theme from his opera Die Wälkure. You know the theme, the one that shows up in Coppola’s Apocalypse Now, or in countless other movies. The opera version, containing the singing of the valkyrs with their “hoyotohos” battlecries, is even grander than the “mainstream” version most people have heard. This is music that evokes a thousand images and feeds the imagination. It’s music that makes you want to write about it.
So here I am, writing about it.
I still do not know exactly what story will come out of it, but I can show you one image that has come out of it; here’s José Vega’s finished cover artwork:
For more on José Vega’s art you can visit his webpage below.
Norse mythology has always held a certain fascination to me. Now, while technically that’s true of most mythologies from around the world, Valhalla and friends have a special place thanks to their intrinsic coolness and inevitable tragic endings. It’s no coincidence that Stan Lee and Marvel Comics added Thor to their superheroes roster (Thor being, incidentally, my favorite of the Norse gods). Not only did they have consumate warriors, giants, dragons, elves, dwarves, trolls, and tricksters, but those gods were destined to die in a grand final battle, and they knew it. These are gods devised after a manner of people who not only did not fear death, but actually welcomed it. Their Ragnarök was a sort of beautiful tragedy, where death and oblivion meant the most glorious ending to one’s life.
Thor battles the serpent Jörmungandr. At the Ragnarök, they kill each other. Thor also had considerably more clothes than as depicted.
It is this world that I have chosen to tell the story of Sigrdrífa. All the elements of modern fantasy are encapsulated in Norse mythology, and masters like Wagner and Tolkien drew from its legendary sagas to build their own epic stories. While I am not contemplating having Thor, or many of the gods, make an appearance in this novel, there will be plenty of fantasy to go around. And violence. And murder. And sacrifice.
Remember, this isn’t a happy place. Beware the faint hearted.
NEXT TIME: What I have learned from reading the Völsunga Saga